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Amazing Artwork

Superb photography

Beautiful Presentations Make this a Worthwhile Purchase

Great college text: Clear, concise and releventThe premise of the book: how understanding buyer behavior influences overall strategy.
If you're looking for a self-tutorial in Consumer Behavior, this is it.


Great review on molecular biology

Interesting and full of good ideas

Interesting reading for the open minded ChristianDr. Hawkins presents the traditional ideas of the church, where they originated, and why they are there. Then, he explains the historical reasons for the ideas that we have and the Biblical reasoning for the traditions that are sometimes lost in today's generation. This book is meant for those who are concerned with the present day church and how it is supposed to be.
The main theme throughout is UNITY. How nice it is to see unity of the church presented in such a logical, loving way. I wish more pastors were educated in the history of church traditions, why we have some of the traditions we have, and how they apply to the twenty-first century church. It is only through unity that we can truly become the church that we were meant to be.


Haircare for children...African American hair care for someone tender-headed. The story details the
various things Maya's mom tries to make her daughter's hair softer and easier
to maintain.
This is a wonderful book for parents who are considering locking their child's
hair and in search of a tool to "show" how the hair will turn out. In addition, I think children and those interested in hair care will enjoy it as well. The illustrations are done by Beverly Hawkins Hall and beautifully portray the story. Parents and young children both will enjoy this book and its bright and colorful illustrations.
Reviewed by Tee C. Royal
The RAWSISTAZ Reviewers


A good introductionTo instruct others how to be creative entails that one understand the nature of the creative process. This is nontrivial, and so it is not surprising that the author would overview briefly various research opinions on the subject. The creative potential is influenced by the environment and one's interaction with it. One's experiences can be expressed symbolically, but this may not always be done effectively with words: one may need to use motion, sound, or painting. Dance choreography to the author is, following the classification of the philosopher/logician Susanne Langer, a "presentational form of symbolization", which is inherently metaphorical, and feelings are presented via the use of images and illusion.
Imitation, conformity, and fitting into preconceived patterns can have no intersection with creativity argues the author. It requires the imagination, the sensing and feeling, and the restless desire for truth. She definitely believes in an unconscious contribution to the creative act, but also a "pre-conscious" mode of thought that integrates fragmentary knowledge and isolated elements of experience and brings about the rise of new conceptions. This middle ground between the conscious and unconscious, the Ruggian "transliminal mind", is the origin of creativity according to the author. The author makes reference to research in neuroscience regarding the hemispheric specialization of the brain, and its possible connection of creativity with the right hemisphere. She does mention though that current research points to the fact that specific localization may not be valid. The current research in neuroscience into the nature of creativity is fascinating and this book just touches on it. No doubt experimental techniques in cognitive science will settle the issue in the upcoming decades.
The author is not content with merely theorizing about dance and creativity, but in teaching students to find out and utilize their own. She lists several different classroom activities throughout the book to encourage student action. Feeling, sight, and imaging are discussed in real-world contexts and many examples given of how to integrate them into the production of (personal) movement. The role of symmetry/asymmetry in movement forms is discussed also, interestingly, showing a possible Doris Humphrey influence. The therapeutic role of dance is also given emphasis by the author, with a few real examples discussed. The author quotes students as telling her that dance has changed their life, and they will never be the same again. Dance has that impact, always, and this book will certainly assist in its realizing its power. But the only way to learn dance is to dance.
